between thought, perception, body, and being.
Nue (ヌエ)
quietintrlude (at) gmail.com
@quietinterlude_
nunu on are.na
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BFA THESIS
Explores the intersections of identity, experience, and design through the process of deconstruction to reveal how spaces of ambiguity and fluidity foster belonging and understanding. By examining the liminal zones where boundaries blur and overlap, this thesis investigates how design can reflect and navigate the complexities of identity and experience. These in-between spaces provide an opportunity to unravel and deconstruct familiar elements, unveiling deeper connections and meanings in the process.
A 272-page book that weaves together intimate, personal stories exploring identity, memory, and belonging in liminal spaces. Through a series of open-ended questions, contributors responded with layered reflections—each voice distinct, yet subtly connected by shared feelings of in-betweenness. The book is bound using Japanese stab binding, a method that physically mirrors the act of tying together fragments of experience.
Using text as material, the stories are presented without hierarchy, encouraging readers to trace emotional and conceptual threads across sections. The format emphasizes softness and fluidity, with careful attention to material choices such as translucent overlays, delicate textures, and minimal layouts that evoke both fragility and resilience. The book invites readers to sit with vulnerability, multiplicity, and the quiet ties that connect us.
Featured on Papers Archive
Grey Thread
5 × 5 in
葡萄のように集まりながら、ほどけていくもの。
点線のように、触れそうで触れない距離。
Grapes gather and dotted lines almost meet.
Untitled
Hand-formed and asymmetrical...
RISO print
Acrylic
Epoxy Putty
Rub 'n Buff Metallic Wax
Mini Magnets
(at) Kissa Nito taken by Kai
朝の光と、
胡椒の香り。
小さな満足が、
静かに残る。
proof that a little spice
can wake up a quiet morning.